It offers a powerful tethered capture feature that is leaps and bounds beyond Adobe, powerful digital asset management, extensive adjustment tools, and a flexible workflow.Ĭapture One not only has both a powerful image processor and robust image management, it does implement them in spades.
There is support for more than 400 cameras (including medium-format) right out of the box. Capture One Pro is a professional RAW converter offering ultimate image quality over the competition with accurate colors and incredible detail. There are plenty of raw processing applications on the market, but few that have image management as well. Alternatives to Adobe Creative Cloud Capture One Pro Below is a list of such alternatives to Adobe’s Creative Cloud that you may want to check out. For the cost of a yearly Creative Cloud subscription, you can ‘create’ your own suite of applications that can tackle any project.
Heck, we have lots of that material right here if you want it.Īs Adobe sits idly by, other companies have produced applications that either meet or exceed the functionality of ‘The Cloud’. Hits like “ Improve Illustrator Performance”, “ How to Speed up Lightroom”, and “ Optimize Performance in Photoshop” are among the most requested searches in Google it goes to show that Adobe’s apps, although popular, are far from perfect. One would think that with Adobe’s 5.85 billion in revenue they could have improved the speed and functionality of their desktop apps, instead of implementing mobile features hardly a real photographer asked for.ĭoing a quick search in your favorite search engine you will find millions of hits on how to make Adobe’s apps perform better. Looking at Lightroom’s last two updates almost all of the concentration looks to be on mobile usage instead of fixing their antiquated code for the real version. Recently it has seemed as if Adobe has taken the Apple approach to their product line, in that they tend to focus more on mobile-optimization than improving their product line for professional use. They work less so for professional grade apps that peddle the same features year after year, with nothing more than a few tweaks here and there. Subscriptions work for services like Netflix, Amazon Prime, and those little monthly boxes all of which promise something new and exciting. Suddenly you are paying $600 a year, in perpetuity, to stay under the Adobe umbrella. If you want to use the “ world’s best creative apps” to edit video, mix sound, or produce special effects you either have to pay $20 for each individual application or pay $50 a month for access to the entire suite. When you first visit Adobe’s main page the words that are greeting you make believe that with the “ world’s best creative apps” you can make anything regardless of your discipline, as long as you make it with Creative Cloud.
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